LIFE OF ITALIAN CINEMA By Mario Ricardo
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Description::Release: Ars.
Published: 2008 standard.
ISBN: 978-86-7102-278-1.
Weight books: 359.00.
Dimensions of the book: 14,5 x 21st
Pages: Article 199.
Cover: Hardcover with envelope.
Script: Latin.
In the history of the twentieth century, an important place belongs to the film, the technical and expressive instrument who can directly and vividly to show not only facts and events, but also ideas, customs, fashion, individual and collective patterns of behavior. And in the history of Italian film represented the artistic and cultural area of great importance whose analysis the people, "caught" and presented in their activities and habits can better understand and meet.
Hence the decision of the Academy of Sciences in Turin and the National Film Museum to organize an international meeting that would once again consider the history of Italian cinema and the influence that he exercised on society and the environment. The book is a collection of papers from this conference, which are concentrated around two major themes:
· History of Italian cinema, with a focus on specialty and characteristics.
· The economic nature of the phenomenon that has made film production: its origin in the form of industry, through the development of higher forms of crafts and, of course, the crisis.
The group of qualified professionals gathered so that a better understanding of various aspects of Italian cinema: production, economic, artistic, ideological, artistic and theoretical, and not neglected even those aspects that brought various newspapers and ideas. Historical perspective is complemented by contributions sociologist, linguist, semiotician, which allowed to the end of the meeting be singled out some typical activities of Italian cinema, and to assess its characteristic expressive forms and means of communication.
Published: 2008 standard.
ISBN: 978-86-7102-278-1.
Weight books: 359.00.
Dimensions of the book: 14,5 x 21st
Pages: Article 199.
Cover: Hardcover with envelope.
Script: Latin.
In the history of the twentieth century, an important place belongs to the film, the technical and expressive instrument who can directly and vividly to show not only facts and events, but also ideas, customs, fashion, individual and collective patterns of behavior. And in the history of Italian film represented the artistic and cultural area of great importance whose analysis the people, "caught" and presented in their activities and habits can better understand and meet.
Hence the decision of the Academy of Sciences in Turin and the National Film Museum to organize an international meeting that would once again consider the history of Italian cinema and the influence that he exercised on society and the environment. The book is a collection of papers from this conference, which are concentrated around two major themes:
· History of Italian cinema, with a focus on specialty and characteristics.
· The economic nature of the phenomenon that has made film production: its origin in the form of industry, through the development of higher forms of crafts and, of course, the crisis.
The group of qualified professionals gathered so that a better understanding of various aspects of Italian cinema: production, economic, artistic, ideological, artistic and theoretical, and not neglected even those aspects that brought various newspapers and ideas. Historical perspective is complemented by contributions sociologist, linguist, semiotician, which allowed to the end of the meeting be singled out some typical activities of Italian cinema, and to assess its characteristic expressive forms and means of communication.
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Izdavačka kuća CLIO
- Company introduction:Clio publishing company was founded in a time of the greatest social upheavals and political fractures at the end of the twentieth century with the basic idea that as part of their required reading editions created for the modern intellectual, establish solid supports free-thinking man who can constructively resist the devastating impact of the economic crisis and the disintegration of the value system. The publishing concept is characterized by a molded publications ranging from the world of fiction, history, anthropology, psychology, communication studies and media, management and marketing, ecology, essay writing, through the theory, history and criticism of artistic practice, to librarianship, museology and educational policies. By publishing books that are the result of modern knowledge and experience of different cultural and linguistic backgrounds, Clio seeks to participate actively in the reform of secondary and higher education improve these processes, as well as the professional development of teachers and managers of educational institutions. Consistent application of professional standards and respect the procedures in editorial work, employees and associates strive to provide exemplary examples of good editorial practice. As heirs of recognized professional experience, representatives of the house, at the invitation of the authorities, gave a certain contribution to the public debate about the preconditions of creating better conditions for the work of all institutions that are represented for the road book. They are developed and publicly presented the draft law on publishing, the proposal for the establishment of the National Book Centre, an initiative to organize Age books in Serbia, the recommended new principles with guidance for the purchase of books for the library. Begin are long-term projects internest, Library Plus, the Grail-library wonders, dealing with the improvement of the social role of libraries and educational cooperation, media institutions, artists and publishers.
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